In the movie, they really didn't like each other. In the series, Light and Ryuk was there for some side commentary and answer any questions that Light may have had in regards to the Death Note. Also, in the series, Ryuk and Lights relationship wasn't as adversarial as it was in this movie.
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This movie would have been better served if they cast a better Light, and didn't write him as such an unconfident wussy. In this movie, not so much L confronts Light at a gelato shop, where he breaks Light to into letting it slip that he was Kira.
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What really made the anime series shine though, was the way Light and L danced a mental tango where Light was trying to either find a way to eliminate L or convince L that he wasn't Kira and L trying to get L to slip up so to confirm his suspicions that Light was Kira. in this movie, was remarkably average even down to the reason for why he continuing to use the Death Note and pursued this life as Kira, all to impress a girl (Mia). Not to mention, Light, in the series, was the epitome of what every man wish they were, and every woman wished they were with. This Light, just didn't have the stomach for it. Light, in the anime series, was all about creating and being the god of this new world order where crime will essentially be eliminated, and nothing and no one would stand in the way of that.
He also wasn't very confident and the way they approached being "Kira" was completely different. For instance, Light was smart, but he wasn't genius level smart like he was in the anime series. Another problem I had with this adaptation, which is what most people will point out is that they fundamentally changed the core attributes of the characters that they adapted from the anime series. The pacing was too fast and it doesn't allow you to really connect with any of the characters in the movie. While it has the same characters, the film does diverge from the manga in terms of the broader plot elements, sticking more closely to its basic points.This review contains spoilers, click expand to view.īottom line, this movie needed to be a miniseries and not rushed into roughly an hour and a half movie. Stanfield asserted in an interview with Bustle that the film is a re-envisioning of the source material. He's hired by the government to track down who is responsible for the deaths outlined in the notebook. L (played by Lakeith Stanfield) is a peculiar detective who has an obsession with candy and is another character who could be seen as insufficiently fleshed out. Well, that goes completely out the window when the power-hungry, psychopathic Mia covertly steals the notebook from Light and ends up writing his name down in the book. Ironically, these two completely mishandle the strict rules bound in the book and don't consider one of the most important rules in the Death Note: only the owner can write names in the notebook. Light and Mia create a made-up entity named Kira (meaning "killer" in English) to take the blame for the mass killings of criminals happening around the world. So why didn't the movie succeed? And what was up with that ending? From Light reading the Death Note out loud in public to showing it to Mia the moment he talks to her, there are too many problems present from the very beginning. In an adaptation that strays quite far from the manga, there are many inconsistencies and changes that didn't work at all. The film follows Light as he discovers a mysterious notebook that falls out of the sky titled "Death Note," a book that possesses supernatural powers in that any name that the owner of the book writes down while imagining the person's face in their head, dies in whatever way that they wish. Set in Seattle, "Death Note" stars Nat Wolff as teenage loner Light Turner and Margaret Qualley as the popular cheerleader, Mia Sutton, who desires full control over the notebook, and with whom Light forms a strange (and rather quick) bond. "Death Note" was also turned into a more successful 2006 anime series that was extremely faithful to its source material, unlike the dreadful fate of the overtly Americanized film version that Wingard helmed. The original property was based on the Japanese manga series written by Tsugumi Ohba with illustrations by Takeshi Obata. Directed by Adam Wingard, Netflix's 2017 movie "Death Note" caused quite a negative stir when it was first released.
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